Photography and place – Symposium (Sat 9 April 2011)
Subject and object in 21st century photography
What do subject and object mean (or what can they mean) in photography in the 21st century?
Photography is a constantly mutating medium, reacting to (and sometime precipitating) changes in art, society, politics and technology. In the 21st century, photographic practice has come into increasingly close contact with other art forms and, through the virtual environment, an increasingly diverse audience.
However, few new theoretical frameworks for considering contemporary photography have arisen to push photographic theory beyond the seminal work of writers such as Barthes, Benjamin, Sontag and Krauss. This symposium, the first of a new annual series of symposia dedicated to photography, explores new ways of thinking about the medium in the 21st century. Have new frameworks for considering contemporary photography arisen? If so, what are they?
The exhibition Photography & place examines recent Australian landscape photography and its relationship to ideas of place and culture. A particular concern of the exhibition is to identify the role of the photographer as a mediator and storyteller. The exhibition includes work from eighteen artists such as Bill Henson, Jon Rhodes, Lynn Silverman, Simryn Gill, Ricky Maynard, David Stephenson, Rosemary Laing and Paul Ogier.
Cardinal Points: The significance of visual vectors in Australian landscape photography
Dr Martyn Jolly, Australian National University
Towards a photographic sublime: subject as metaphor
A/Prof David Stephenson, University of Tasmania
Towards an emotional theory of photography
Dr Kyla McFarlane, Centre for Contemporary Photography
Is Australian photography global?
Dr Daniel Palmer, Monash University
David Stephenson, Kyla McFarlane, Martyn Jolly, Daniel Palmer, Judy Annear